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・ Reinhard Haupenthal
・ Reinhard Heinrich Ferdinand Fischer
・ Reinhard Heydrich
・ Reinhard Heß
・ Reinhard Häfner
・ Reinhard Höppner
・ Reinhard Hütter
・ Reinhard I, Lord of Hanau
・ Reinhard II, Count of Hanau
・ Reinhard III, Count of Hanau
・ Reinhard IV, Count of Hanau-Münzenberg
・ Reinhard Jaeger
・ Reinhard Jirgl
・ Reinhard Karl
・ Reinhard Keiser
Reinhard Kekulé von Stradonitz
・ Reinhard Ketterer
・ Reinhard Kienast
・ Reinhard Klabunde
・ Reinhard Kleist
・ Reinhard Klimmt
・ Reinhard Kollak
・ Reinhard Kolldehoff
・ Reinhard Kopps
・ Reinhard Krull
・ Reinhard Kuretzky
・ Reinhard König
・ Reinhard Lauck
・ Reinhard Lettau
・ Reinhard Lettmann


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Reinhard Kekulé von Stradonitz : ウィキペディア英語版
Reinhard Kekulé von Stradonitz

Reinhard Kekulé von Stradonitz (name at birth Kekulé, called Kekulé von Stradonitz only after 1889; 6 March 1839 – 23 March 1911) was a German archeologist. He has been called the founder of modern iconology (Langlotz). He served as director of the collection of antique sculpture and vases at the Berlin Museum (from 1889) and also as the director of the antiquarium of the Berlin Museum (from 1896). Kekulé was the nephew of the organic chemist Friedrich August Kekulé von Stradonitz.
==Biography==
Born at Darmstadt, Kekulé studied at the universities of Erlangen under Karl Friederichs, and at Berlin under Eduard Gerhard, Johann Gustav Droysen, and August Böckh. His time in Rome with Enrico Brunn was quite influential for his later writing. In 1870 he succeeded Otto Jahn, who had died prematurely, at the University of Bonn.
In 1889 Kaiser Wilhelm II of Germany personally requested Kekulé to be the antiquities director of the collections in Berlin. In the following year he succeeded Carl Robert at the university in Berlin which he held jointly with the directorship. It was then that the emperor allowed the "von Stradonitz" designation. Kekulé greatly increased the size of the imperial collections through a combination of astute buying and commissioning excavations, assisted in the latter by Theodor Wiegand. Kekulé was a prominent lecturer, though his writings are tinged with what today appear as superficial comments. His students included Hermann Ulmann and Ulrich von Wilamowitz-Moellendorff.
He eschewed Jahn's "monumental philology" and classification for a methodology closer to Brunn, mixed with an esthetic sensitivity akin to J. J. Winckelmann. His connoisseurship, more than Winckelmann's, was rooted in scholarship.

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